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When the Devil Drives (Jasmine Sharp and Catherine McLeod Novels), by Christopher Brookmyre
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The second installment in Christopher Brookmyre’s new crime series, When the Devil Drives is an intensely gripping literary thriller that delves into the darkest reaches of the human psyche.
Actress turned private investigator Jasmine Sharp has become accustomed to clients looking for long-lost relatives, so when a woman hires her to find her younger sister Tessa Garrion, Jasmine presumes the case will be relatively straightforward. The assignment takes her back into the world of professional theater, where she is warned off more than once for probing too deeply into the past.
Meanwhile, Detective Superintendent and mother-of-two Catherine McLeod is called to the scene of a murder in the Highlands. Following a theatrical outdoor performance of A Midsummer Night's Dream at Cragruthes Castle, a prominent figure in the Scottish arts community is shot dead during a post-performance photo call. With her initial leads turning out to be red herrings, McLeod struggles to determine the killer’s motive.
Jasmine soon uncovers Tessa’s involvement in a drug-riddled Highlands estate retreat replete with occult rituals, which implicates more than a few people in the upper echelons of Scotland’s arts scene. Tessa’s disappearance in the summer of 1981 begins to look increasingly like murder, but the guilty will stop at nothing to keep the truth hidden. As Jasmine’s and McLeod’s investigations intertwine, it becomes evident that both cases are far more convoluted and dangerous than anticipated.
- Sales Rank: #280236 in eBooks
- Published on: 2013-05-07
- Released on: 2013-05-07
- Format: Kindle eBook
From Booklist
*Starred Review* Two female crime fighters muster all their moxie and mental acumen in international best-seller Brookmyre’s second in a stellar series set in Scotland. Aspiring actress turned private investigator Jasmine Sharp’s search for a woman’s long-lost sister brings her back into the world of professional theater. (It is a bittersweet reunion; Jasmine always wondered what her life would have been like had she continued to tread the boards.) This time, however, the drama is very real: a 30-year-old unsolved mystery that could shatter the reputations of a few much-touted theater icons. Meanwhile, Detective Superintendent Catherine McLeod contemplates clues in the murder of a theatergoer who stepped onstage for a photo shoot following a performance of A Midsummer Night’s Dream. (Talk about your reverie turned nightmare.) The lives of the two sleuths seemed destined to intersect, and consummate crime-fiction writer Brookmyre (Where the Bodies Are Buried, 2012) is a master at rendering ingenious, intertwining plots. Sharply drawn characters and an idyllic Scottish setting add further appeal to this engaging entry in which foul play’s the thing. --Allison Block
Review
Praise for Where the Bodies are Buried: 'Brookmyre is just as excellent at the gritty, serious end of the genre as he was dispensing manic humour - A huge welcome to the new Brookmyre on the block' THE TIMES 'As sharply observed and mordantly funny as ever - There are plenty of back-doubles and plot twists in this fast-paced read' GUARDIAN
About the Author
Since his award-winning debut novel Quite Ugly One Morning, Chris Brookmyre has established himself as one of Britain's leading crime novelists.
Most helpful customer reviews
3 of 3 people found the following review helpful.
"Tartan noir" at its very best
By Bookreporter
Christopher Brookmyre has written a great number of books, not always to a wide audience but to a very loyal one. He is probably best known as working in what is called the "Tartan noir" genre. Arguably, his recently introduced Jasmine Sharp series set in his native Scotland --- consisting of WHERE THE BODIES ARE BURIED from 2012 and the newly published (in the United States) WHEN THE DEVIL DRIVES --- does not fit neatly into that classification. Still, that is no reason for Brookmyre's fanbase to turn away from him.
The elements that have attracted readers to Brookmyre since his early efforts are abundantly present in his latest work: complex plots, deep examinations into those dark aspects of the human personality and psyche that are simultaneously fascinating and repellent, and, at the core, a puzzling and intelligent mystery or two. It is difficult to imagine what more one could ask for.
WHEN THE DEVIL DRIVES opens with Sharp having inherited her uncle's private investigation agency, where she had been employed on a part-time basis while attempting to pursue an acting career. Having demonstrated a skill at locating missing persons, Sharp is retained by a new client to find her younger sister, Tessa Garrion. The case is colder than cold --- Garrion disappeared some three decades before --- but Sharp, as one might expect from her previous outing, is undaunted. Interestingly enough, the investigation takes her back to the world of the arts, specifically the theater.
It turns out that the missing woman was not living the life of a nun when she disappeared. Rather, she was a somewhat frequent visitor to an estate retreat where the occult in its more extreme forms was practiced, and drug use and abuse were the norm. Among the retreat's patrons were many who were involved in Scotland's art scene, including some whose influence extends far beyond the theater. Sharp is warned off her investigation when she begins to obtain solid leads but also digs too deeply into matters that have lain dormant for decades. However, she is undeterred and thus plunges straight ahead into deeper danger as it becomes clear that Garrion's disappearance was the result of foul play.
Meanwhile, a far more recent death is the subject of a separate investigation by Police Detective Superintendent Catherine McLeod, who is tasked with looking into the murder of a prominent actor following a live Shakespearean performance and during a post-play photo-op. McLeod believes motive is the key here, yet is led down several false paths, possibly deliberately. As one might expect, her case begins to slowly intersect with Sharp's (one of the book's very few elements that is somewhat predictable), despite the marked difference in time that separates the subjects of the inquiries, with the most notable common element being the great degree of danger that both investigators face as they come ever closer to the truth.
I was a huge fan of WHERE THE BODIES ARE BURIED. In WHEN THE DEVIL DRIVES, Brookmyre does an excellent job of advancing the general storyline concerning Sharp while meeting and exceeding the bar of expectation the first volume created. While Brookmyre's long-time readers may be a bit unsettled by the slight turn in subject matter, their time and interest in delving into these two books will be more than rewarded.
Reviewed by Joe Hartlaub
8 of 11 people found the following review helpful.
Can we have the real Christopher Brookmyre back please?
By Keris Nine
When the Devil Drives opens up with a thoughtful meditation on death, on the taking of a life and of the consequences of living with that action. Yeah, I know - it's the last thing you would have expected from a Christopher Brookmyre novel in the past. Death, yes - but usually from the perspective of someone considering what a messy business it is, how on earth they're going to get those stains off the ceiling and how to dispose of the inconvenient dead body that's been left lying around. But then, as we've seen from Where the Bodies Are Buried, this is the new reformed, reinvented, reconstituted Chris Brookmyre, and now everything is a bit more sedate, respectable, conventional and, sadly, starting to get more than a little dull.
Admittedly, not everyone liked the first Jasmine Sharp outing, but I thought it held out some promise and was a welcome change of pace for a writer who needed to expand and develop his range. This is not in any way expanding your range. For whatever reason, Brookmyre seems to have shied away from the obvious teaser at the end of the last book, sidelining Glenn Fallon and even leaving Detective Superintendent Catherine McLeod to plod away to little effect on the procedural subplot. That means, for a long while at least, that we're left with actress-turned-private-investigator Jasmine Sharp for the bulk of the case, and the book is consequently very slow to get off the ground. Leaving aside her day job of staking out benefit and insurance fraud cases, Jasmine's investigation of a woman who disappeared back in 1981 puts her into the middle of a possible murder involving a lot of now prominent figures in the local arts community, and suggestions of satanic rituals.
The details of the case aside - not a very imaginative one - and the fact that the author seems to have saddled himself with a weak lead character who doesn't develop in any significant way from the first book, what's disappointing is how toothless the new Brookmyre is. I don't mind the lack of violence, the absence of the high body count or the considerable toning down of the expletive quotient, but there's really nothing more substantial in its place. Even as a satire of the Scottish arts community, this is very weak material, involving them in drugs and satanic rituals in a ludicrous case that drags towards a conventional, if nonetheless satisfying, crime thriller resolution, with no digressive rants or witty diatribes at the state of the nation and no incisive debunking of the establishment.
Brookmyre is evidently still a fine writer, so good that he can turn his hand to the conventional crime thriller and write it well, but I think fans, rightly, expect more from this talented author than mediocrity. Can we perhaps ask for an Iain M Banks/Iain Banks-style split with Chris and Christopher Brookmyre books? Surely that would be a happy arrangement for everyone?
1 of 1 people found the following review helpful.
The second Jasmine Sharp novel
By TChris
Where the Bodies Are Buried introduced readers to actress-turned-detective Jasmine Sharp. In When the Devil Drives, Jasmine has inherited her uncle's detective agency. Alice Petrie hires Jasmine to find Alice's sister, Tessa Garrion, from whom Alice has long been estranged. Tessa was last known to be working as an actress before she dropped out of sight. As Jasmine tries to track down Tessa's past, it becomes clear that some or all members of a short-lived production company, now thirty years defunct, are concealing a dark secret about their past. A second storyline follows DS Catherine McLeod as she investigates the shooting of an arts patron that occurred during a production of Shakespeare at a castle in the Highlands.
When the Devil Drives has an interesting structure. The novel opens with a confession of murder, but we don't know the identities of either the confessor or the victim. The story eventually journeys back in time before, returning to the present, the two storylines converge. Toward the end, Christopher Brookmyre ratchets up the tension, adding the elements of a thriller to a murder mystery.
The plot is a multiple whodunit. In the tradition of mystery writers, Brookmyre sets up several suspects who may have committed murder. When one of those suspects is killed, the reader wonders whether that suspect murdered Tessa and was killed by someone else, or whether a different suspect murdered them both. The story is realistic, avoiding the over-the-top motivations that mar so many murder mysteries, while at the same time employing the sort of misdirection that has the reader wondering just how over-the-top the intricate plot might turn out to be. As Brookmyre peels apart his cast of flawed human beings, they all seem capable of murder -- and at the same time, they seem like people we might know.
Theater provides the novel's thematic setting. Jasmine trained as an actress and sometimes yearns for that life rather than the one that has been thrust upon her. The Scottish branch of the world financial crisis -- where, as everywhere else, bank executives eat caviar as the economy goes down the toilet -- furnishes the secondary setting. Although the worlds of theater and finance are miles apart, Brookmyre showcases the arrogance and passion that are prevalent in both.
Catherine plays a lesser role than Jasmine, but she's an equally intriguing character. Like Jasmine, she's capable of rethinking her positions, of listening to others and benefitting from their wisdom. Catherine dominates her passive husband, who (in a minor subplot) disagrees with her insistence that their son be forbidden from playing violent videogames. Whether imaginary violence begets real violence is a theme that animates the novel.
When the Devil Drives includes some flashbacks to the previous Jasmine Sharp novel that aren't particularly relevant to the story. It isn't necessary to read the last one to enjoy its successor. Both novels are infused with local color and written in effervescent prose. This one is slightly more enjoyable than the first (the conclusion left the trace of a smile on my lips), and I'm looking forward to the next.
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