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Faith In Time: The Life Of Jimmy Scott, by David Ritz
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Born in Cleveland in 1925, "Little" Jimmy Scott lost his mother at age thirteen, the same year he was diagnosed with Kallman's syndrome. The disease stunted his growth and earned him his nickname, but it also left him with a haunting voice, a mesmerizing voice. He soon built a following as a singer touring with Lionel Hampton's great orchestra in the '40s, then performed with many of the stars of the '50s, from Lester Young to Charlie Parker to Dinah Washington, and was signed by Savoy Records. He thought he had his big break when, in 1962, Ray Charles produced what was by all accounts Jimmy's best work, Falling in Love Is Wonderful. But when it was forced off the shelves by contract disputes, Scott worked as an orderly and clerk in Cleveland for almost two decades. Fans thought he was dead-until songwriter Doc Pomus's funeral in March of 1991.As Pomus had instructed in his will, Jimmy sang over his friend's coffin. High-pitched and androgynous, his voice seemed to come out of thin air, transcending gender and age, evoking pure heartbreak. No one knew who he was-heads turned, celebrities conferred, record executives were reduced to tears-until finally Lou Reed turned around and whispered, "He's Jimmy Scott, the greatest jazz singer in the world." And so he was. By the next morning, he had a record deal with Sire that relaunched his career with the masterpiece All the Way, and he has been performing to packed clubs ever since. With full cooperation from Jimmy, his siblings, spouses, and colleagues from Ray Charles to Ruth Brown, Faith in Time is at once an intimate biography, an invaluable history of a life that spanned big band to bebop to pop, and the poignant story of a man whose voice will live forever.
- Sales Rank: #1497806 in eBooks
- Published on: 2009-07-21
- Released on: 2009-07-21
- Format: Kindle eBook
From Publishers Weekly
Ritz, who has helped Ray Charles and Laila Ali write their autobiographies, now turns his attentive eye to the life of singer "Little" Jimmy Scott. Born in Cleveland in 1925, Scott grew up in a town bursting with clubs and theaters that showcased the touring jazz greats, from big band to the then-nascent bebop. While still a teenager, Scott finagled his way from a job as an usher at a Cleveland theater into singing a few numbers after Lester Young had performed. The audience was transfixed by his unearthly voice and clamored to know if he was a man or woman. Scott suffered from Kallman's Syndrome, which meant that his testicles never descended and his genitals never fully developed, keeping his voice in a high, haunting register. Never fully welcomed into the jazz world, Scott performed wherever and whenever he could over the decades. He sang with Lionel Hampton and Charlie Parker, recorded an album with Ray Charles and influenced a generation of singers from Frankie Valli to Marvin Gaye. But such occasional gigs never paid the bills and Scott kept taking odd jobs to support himself and his many poorly chosen spouses. A brief renaissance that came in the early 1990s offered the strange sight of the diminutive singer touring with Lou Reed and singing on an episode of Twin Peaks. Ritz keeps his distance, letting people like Reed, B.B. King, Quincy Jones, and especially the odd and feisty Scott himself, tell the story of a man caught between worlds and almost lost in time.
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
With the release of the album All the Way in 1992, Jimmy Scott, then 66, finally got his due and was recognized as a master interpreter of vocal jazz. Ritz, who has written acclaimed biographies of Marvin Gaye, B.B. King, and Aretha Franklin, offers the first profile of the singer, written with the full cooperation of Scott, his family, and his colleagues. Refreshingly, Ritz refuses to sensationalize subjects that he could easily hype: Scott suffers from Kallman's Syndrome (a hormone deficiency that stunted the growth of his testicles), which resulted in his famous alto, and he has struggled with drinking. Instead, Ritz focuses on Scott's remarkable resiliency. Over the course of his 60-year career (which included a stint with Lionel Hampton's orchestra), he has overcome shady businessmen and personal crises with a stoic joie de vivre. This trait is very likely the reason he has been able to rely on friends over the years, to work jobs not related to music, and to realize he has a musical gift that will be acknowledged every so often. These career fits and starts would frustrate even the strongest person, so Scott's life is a fine example of a way to use talent while making a way in the world. Considering he began his career in the 1940s and continues to sing to this day, his story is intriguing and inspiring. Recommended for any library with healthy music holdings. William Kenz, Minnesota State Univ., Moorhead
Copyright 2002 Reed Business Information, Inc.
From Booklist
Jazz singer Jimmy Scott should be better known for two attributes: one of the purest voices in popular music, and one of the all-time great comeback stories. Scott suffers from Kallman's syndrome, which stunted his growth at age 13 but left him with a haunting, androgynous voice. Every time success loomed, however, fate sidetracked his career. He had a huge hit in 1950 as vocalist with Lionel Hampton's band, but his name didn't appear on the record's label. A 1962 album produced by Ray Charles promised to be his commercial breakthrough, but it was withdrawn in a contractual dispute. After that setback, Scott worked menial jobs for 25 years. Then he sang before music-biz luminaries and record execs at the funeral of his songwriter friend, Doc Pomus. The next day he had a record contract, and today, at 77, he performs in packed clubs. Scott remains a cult figure, but his has grown into a large cult, probably eager to read this intimate portrait, written with his, his family's, and his colleagues' full cooperation. Gordon Flagg
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
2 of 2 people found the following review helpful.
Much Like Jimmy Scott's Voice-- This Book is One Emotional Journey
By MarshallR
Jazz singer/supreme vocalist Jimmy Scott's life story reads like a classical Greek tragedy, only with a Rocky-like twist. Born in poverty, so much of Scott's journey has been a struggle with a capital S. As a child, his mom was killed in a tragic streetcar accident, his family life shattered, then came the discovery of his illness... Kallmann's Syndrome (a genetic disease which stunts physical growth),
Because of that rare affliction, Scott would remain four feet eleven inches for decades, until, at age 37, he grew another 8 inches to the height of five feet seven inches.
The only positive result: Kallmann's Syndrome kept his voice youthful...sounding as pure as that of a young boy who has yet to reach puberty. Yes, Scott's voice was a beautiful sounding instrument, yet the rest of him became a boundless curiosity that was billed as "Little Jimmy Scott." Some thought his whole persona was a trick, a sham and that the eternally youthful, smooth-skinned Mr. Scott was in fact, a woman, or gay, or perhaps a hermaphrodite.
Idiots!
What he was, in fact, was an artist of wonderful and deeply emotional layers. Listening him croon could then and even to this day, so easily break the human heart.
Lionel Hampton signed him and his career quickly took off. His one major hit was an late 1940s tune entitled "Everybody's Somebody's Fool."
But then it all went sour. The politics of the music game would do a number on Jimmy Scott, and yet, a talent like his would not soon be forgotten.
One can hear the influence of Scott in the voices of Frankie Valle (of The Four Seasons), Anthony Gourdin (Little Anthony and The Imperials) and vocalist Nancy Wilson who credits Scott's unique and otherworldly timing as her personal inspiration.
Author David Ritz does a wonderful job in recreating that magical time in history replete with neon-colored nights of jazz, cats and chicks and then peoples it with the likes of Bird (who once threatened a young Jimmy Scott, that he would `kill' him if he, Bird, ever caught wind of Scott shooting heroin), Dinah Washington, Ray Charles and Billie Holiday (whose funeral Jimmy Scott officiated). Every one of them would become a friend, who saw something beautiful and rare in Mr. Scott's talent. But it was the suits of the crooked record business, along with a string of women Jimmy Scott choose to marry which would lead to his undoing.
This book takes a darker side when one who is so gifted is cheated, discounted, robbed of his rightful royalties, and left to rot on a vine when there was so much left to give this world. As a result, Mr. Scott was forced to leave the business and become a janitor in order to make ends meet.
Years passed.
It was only through the concerted efforts of those who remembered him, and sought him out to sing at the funeral of his long time friend Doc Promus that he would many years later reappear on the scene and remind the jazz and recording worlds of just what makes Jimmy Scott's singular ability to glow with that utterly intangible quality which can only be called: musical genius.
Today, well into his 80s, Mr. Scott tours frequently and appears all over the world. He has finally reached a career zenith that rightfully should have been his well over fifty years ago. He is loved, admired and adored by many in and out of the entertainment business. His concerts draw to his seductive flame such diverse artists as Bette Midler, David Bowie, Robert Deniro, and even Madonna, has stated that `Jimmy Scott is the only artist who can make me cry.'
This book makes the reader pull for Jimmy Scott. It also made me mad at the world of ignorance, intolerance, cheats and crookedness, and yet in the end, one is left smiling, and glad that cream eventually rises to the top.
I fell in love with the talent and the tenacity of Jimmy Scott after reading this book. I would encourage anyone who loves music, who loves that sensual FEELING of their emotions being slowly stroked to purchase a few of his classic recordings, among with his more recent work and see for yourself what it's like to hear the sound of a tear.
One.
2 of 2 people found the following review helpful.
Jimmy's Life, Jimmy's Records
By Andrey Starobin
Having read the book, I begin to wonder who exactly is collecting on Jimmy's late earned fame. The Amazon has 9 records for sale and yet the man himself barely made ends meet all his life. Read the book, and wonder for yourself ...
5 of 7 people found the following review helpful.
A gripping biography which reads like a novel
By Midwest Book Review
Musicians will also enjoy David Ritz's Faith In Time, a survey of the life of Jimmy Scott. Orphaned as a teen and suffering from a syndrome which kept his voice unnaturally high, he toured with Lionel Hampton in the 1940s and achieved a career breakthrough twenty years later - then went back to being an orderly and shipping clerk. Faith In Time recounts his rise and fall, providing a gripping biography which reads like a novel with its action and insights.
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