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The Child, by Pascale Kramer
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“Intense and bravely uncompromising. An adult study of pain, thwarted affection, and guarded privacies in a world at the edge of violent public breakdown. An impressive achievement.” —DAVID MALOUF, author of Ransom: A Novel and The Happy Life: The Search for Contentment in the Modern World
Simone and Claude live in a house with a lush garden, surrounded by a hedge that barely protects them from the growing violence and unrest in their low-income neighborhood. Simone mourns the loss of youth and possibility as Claude, a gym teacher who has been diagnosed with cancer, edges toward death. This is an unflinching portrait of a couple ravaged by illness and locked into mutual isolation—that is, until the arrival of a young boy brings hope and upsets their delicate danse macabre to devastating effect.
Pascale Kramer dissects romantic love’s psychic carnage while unsentimentally revealing the unique beauty born of an adult’s love for a child. As does Marguerite Duras, she wields spare language like a club and plumbs emotional depths rarely reached outside of poetry. A brilliant collision of hope and despair, The Child is a tour de force.
Pascale Kramer is the author of The Living and the recipient of numerous awards, including the Prix Shiller (Switzerland) and the Prix du Roman de la Société des gens de lettres (France). The Child is her second novel to be translated into English. Born in Geneva, she lives in Paris, France.
- Sales Rank: #3822868 in eBooks
- Published on: 2012-12-25
- Released on: 2012-12-25
- Format: Kindle eBook
Review
“You need to read Pascale Kramer’s books because they take you on a journey. You board a small ship that enters the human body, and what you felt while reading follows you for days after you’ve closed the book.” —Elle (France)
“A singularly moving and disturbing novel about the ambiguity of feelings.”
—Le Monde (France)
“A knock-out.” —Madame Figaro (France)
“A flawless black diamond . . . luminous.” —L’Hebdo (Switzerland)
“A novel with the strength of a stifled cry.” —Le temps (Switzerland)
“Implacable precision, with a stylistic density that brings out the most moving elements of humanity.” —La vie (France)
“This book is a jewel of reserve, delicacy, precision and, in the end, of love.” —L’express (Switzerland)
“The Child is a raw look at the cycles of decay that stalk our lives—the violent deterioration of a low-income neighborhood, the physical degradation of a cancer-wracked body—and the unexpected sources of hope that keep us going.” —World Literature Today
“Kramer is too accomplished a novelist to spoon-feed the reader adult-sized fairytales . . . life itself is comprised of death, of disease, of a boy’s rotten teeth and a lover’s disintegrating body. As a boy grows old and corrupt so does a beloved city and civilization. Life itself has its limits, and so does love.” —Full Stop
“Intense and bravely uncompromising. An adult study of pain, thwarted affection, and guarded privacies in a world at the edge of violent public breakdown. An impressive achievement.” —DAVID MALOUF, author of Ransom: A Novel and The Happy Life: The Search for Contentment in the Modern World
About the Author
Pascale Kramer was born in Geneva, travels frequently to Los Angeles where she began writing The Child, and currently lives and works in Paris. She has received numerous awards for her eleven novels including the Prix Shiller (Switzerland) and the Prix du Roman de la Société des gens de lettres (France). Her novel, The Living, also translated by Tamsin Black, is currently being made into a film in Switzerland.
Translator Tamsin Black has worked as a literary and commercial translator for over a decade. Her book-length translations include memoirs, travel guides, and fiction, including two novels by Pascale Kramer: The Child and The Living. She lives in Bedfordshire, United Kingdom.
Most helpful customer reviews
2 of 2 people found the following review helpful.
An Odd Little Tale
By K.
The Child is a superbly honest story that examines the unpredictability, and sometimes even absurdity, of our emotions. We mostly follow Simone, as she watches (and yes, I do mean "watches" and not "cares for") her husband Claude become ravaged first by cancer, then by the ensuing treatments. 'The Child' in this book refers to Claude's son, Gael, and the very awkward interactions both adults have with him on his rare visits. There are a lot of smaller tidbits thrown into this slim book that deal with societal violence, parent/child relationships, working through past mistakes, and harboring resentment for those you love. However despite all that, this book was just average to me.
A small gripe is that the complete lack of quotation marks and indentation made for a very confusing exchange whenever there was dialogue. Rather, you have one big paragraph of text containing multiple sentences spoken between parties, but no way to differentiate the dialogue from the prose. This was particularly cumbersome in conversations between two women, where there is no apparent way to discern which 'she' is speaking, aside from re-reading the same lines a few times until it clicks. A creative style choice, to be sure, that I commend the author for making - but in this case it only served to create confusion and annoy the reader, removing me entirely from the reading experience.
One positive thing I can say is that I enjoyed the vocabulary (any book that makes me have to reference a dictionary is a positive thing for me). Overall, though, this novel simply wasn't satisfying, trying to tackle too many overarching themes in too small a space. Much too short to give the characters any real depth, I'm left thinking that the only reason the author had for writing this book was to show us what detestable, selfish, fickle creatures we humans can be. Not recommended.
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