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Damaged Houses
A master craftsman, Don Lark could fix everything except what mattered, his own soul. After tragedy claimed the one thing he loved, he began looking for dilapidated houses to buy, renovate, and resell at a profit--giving these empty shells the second chance at life he denied himself.
Damaged Souls
Then in a quiet Southern town, Lark finds his biggest challenge: a squalid yet sturdy mansion that has suffered decades of abuse at the hands of greedy landlords and transient tenants. While two charming old neighbor ladies ply him with delicious cooking, they offer dire warnings about the house's evil past. But there is something about this building that pushes Lark on, even as its enchantments grow increasingly ominous. Will finishing the house offer Lark redemption, or unleash the darkest forces of damnation upon him?
- Sales Rank: #321372 in eBooks
- Published on: 2013-03-05
- Released on: 2013-03-05
- Format: Kindle eBook
Amazon.com Review
This romantic ghost story relies on a familiar horror backbone: a stranger with a tragic past moves into an old house that also has a tragic past, and is forced to reckon with the supernatural forces that dwell there. In Homebody, the stranger is an itinerant architect-builder who makes a lonely living by purchasing fixer-uppers, renovating them, and selling them. The house he buys in Greensboro, North Carolina, (where Orson Scott Card lives, in real life) has three mysteries attached to it: a tunnel in the basement, an attractive female squatter who refuses to leave, and a trio of weird doomsayers who live next door.
Card has a clear, well-honed writing style, full of human warmth--a style that is especially effective in the development of the central character, and in details of tools and techniques for renovating an old house. His approach to murder, danger, and threatening forces is so free of closeness or oppression that one might call it "anti-gothic." In an interview, he said, "I am completely uninterested in exploring evil. Evil (and weak and wicked) people are all evil (or weak, or wicked) in the same boring ways. But good people are infinitely interesting in the ways they manage to be good despite all the awful circumstances of their lives."
Homebody is a pleasant tale about the triumph of love over evil, with a couple of bizarre twists to give it spice. (Hint: don't read the Kirkus Review if you want to keep the plot a surprise.) --Fiona Webster
From Publishers Weekly
Like its haunted-house centerpiece, Card's third dark fantasy novel (after The Lost Boys and Treasure Box) has great potential that shines through its superfluous detail. The Bellamy mansion is a venerable Victorian pile that has seen better days when it catches the eye of Don Lark, a widower who "turns his loneliness and grief into the restoration of beautiful old houses." Don's labors to restore the mansion to its former grandeur introduce him to a succession of women receptive to his emotional needs, including an amorous real estate agent, three dotty elderly neighbors who urge him to demolish the place and Sylvie Delaney, a squatter who has lived in the house secretly for a decade. All have been drawn to the mansion and its legacy of corrupted splendor through the shame of their private lives?and one turns out to be ghost whose past troubles are a touchstone for analogies between Don's home improvements and the need to rebuild dignity and character. Card's imaginative use of the haunted-house theme to explore the haunting power of guilt and remorse is deflated by facile observations on the theological significance of human suffering. All of his characters are sensitive studies of the crippling effects of emotional trauma, but several serve no purpose other than to speed the sometimes sluggish plot along with timely advice and miraculous feats of magic. These shortcomings aside, the novel is a powerful tale of healing and redemption that skillfully balances supernatural horrors with spiritual uplift. Film rights to Fresco Pictures.
Copyright 1998 Reed Business Information, Inc.
From School Library Journal
YA-When Don Lark begins restoring a faded Southern mansion, the house and neighborhood come alive with enchanting characters. Don himself is haunted by his tragic past-his alcoholic ex-wife killed herself and their young daughter in an automobile accident. His new neighbors, Miz Judea and Miz Evelyn, try to convince him not to repair the mansion, telling him that it is dangerous to continue the restoration. He discovers that the house is haunted by a squatter, Sylvie, who also implores him to leave it as it is. When Don discovers an old tunnel in the cellar, the mysteries of the house have an effect on all of them and Sylvie and his neighbors come together to prevent evils of the past from taking over their lives. This novel is fast-paced, magical, and full of unusual characters. The supernatural aspects are surprising, amazing readers and compelling them to continue reading to find out who survives. The author's fans will be excited by his newest book.
Alice Silver, R. E. Lee High School, Springfield, VA
Copyright 1998 Reed Business Information, Inc.
Most helpful customer reviews
13 of 14 people found the following review helpful.
Supernatural suspense not horror
By G. E. Williams
If you like stories with a scary supernatural element, but are uncomfortable with satanic evil material, this is a book you can enjoy. I liked this book; it is kind of scary without making you feel dirty. Not as much of a thinker as many of his books, but maybe more than most horror stories. Not more or less predictable than most horror. Good book, not his best, but worth a read.
8 of 8 people found the following review helpful.
A good "haunted house" yarn, but not typical Card
By Jonathan Burgoine
In "Homebody," we find Don Lark, running from the pain of his lost family. Don finds a wreck of a house and begins restoring it - only to find that there is a power within its walls that will alternately terrify and tempt him.
Haunted houses are old hat, but Card adds a new twist that makes the story fresh and interesting. The story zags in directions you weren't expecting, and the characters are all quite vivid. A good read from a great talent.
This book will appeal to fans of Stephen King, John Saul and Dean Koontz, but, oddly enough, I'm willing to bet that Card fans won't like it much at all. I've read a few other novels by Card from his Fantasy and Science Fiction works, and I find that he does very well at those, and didn't quite do as well on this in comparison. Objectively, however, I managed to ignore who had written the book and enjoyed it as a new twist on Haunted Houses in its own right.
Dedicated Orson Scott Card fans should give this a pass, but people who'd like a new take on ghostly tales will definately enjoy this one.
45 of 57 people found the following review helpful.
The "Wrong" Orson Scott Card
By Amazon Customer
This book was written by the Orson Scott Card who wrote Saints, not the one who wrote the Ender Wiggins series or the one who introduced us to the Maker. If you love the ruthless logic of Bean (in Card's latest winner, Ender's Shadow), or the wit of Lovelock, or the compelling alternate universe inhabited by Alvin, you will surely be disappointed with Homebody.
Homebody was written by an author well outside his lyrical or logical core. The characters are well-considered and true to their natures, but none of them are people you'd want to have a conversation with, much less live with for the length of a book. The characters are deliciously flawed, but Card seems unable to find the hook needed to make us care.
Card's obsession with loss and the grieving process led to a couple of extraordinary works (like Xenocide) and a couple of literary duds (like Lost Boys). This definitely falls into the latter category. In the process, he's trying to write into genres where his style and abilities are ill matched. He's successfully equaled or exceeded the masters like Clark and Heinlein in future-fiction that captures the imagination. He's done a good turn matching Lewis and Zelazny by creating Alvin's magical reality. But, when it comes to a good ghost story or a contemporary supernatural tale, Card should leave it to King or Koontz.
If you want a ghost, pass on Card; if you want Card, one of the country's best living authors, try a different title.
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