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Sandrine's Case, by Thomas H. Cook
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Thomas H. Cook offers one of his most compelling novels ever in Sandrine's Case, in which a college professor falls in love with his wife all over again...while on trial for her murder.
Samuel Madison always wondered what Sandrine saw in him. He was a meek, stuffy doctorate student, and she a brilliant, beautiful, bohemian with limitless talents and imagination. On the surface their relationship and marriage semed perfectly tranquil: jobs at the same small, liberal arts college, a precocious young daughter, a home filled with art and literature, and trips to some of the world's most beautiful cities and towns. And then one night Sandrine is found dead in their bed and Samuel is accused of her murder.
As the truth about their often tumultuous relationship comes to light, Samuel must face a town and media convinced of his guilt, a daughter whose faith in her father has been shaken to its core, and astonishing revelations about his wife that make him fall in love with her for a second time. A searing novel about love lost and rediscovered, from one of our greatest chroniclers of the human heart.
- Sales Rank: #205568 in eBooks
- Published on: 2013-08-06
- Released on: 2013-08-06
- Format: Kindle eBook
From Publishers Weekly
Starred Review. In this slow-burning, intricate thriller from Edgar-winner Cook (The Crime of Julian Wells), Sam Madison and his wife, Sandrine, both professors at Georgia's Coburn College (he of literature, she of history) and parents of a grown daughter, appear to have a solid marriage. But below the surface there are problems, which culminate in Sandrine's death from a cocktail of Demerol and vodka. While the coroner rules the death a suicide, the police suspect foul play and soon zero in on Sam as his wife's killer. The local prosecutor is so certain of Sam's guilt that he seeks the death penalty. In the course of the murder trial, which runs from unexpected revelations on the witness stand to torrents of legalese as the attorneys jockey for power, Sam reflects on his relationship with the brilliant, beautiful, and vexing Sandrine. Through Sam's memories, Cook pulls off the tricky task of rendering Sandrine—a lover of ancient history, particularly Cleopatra, and the intricacies of language—as vividly as if she had never died. This crime novel, one of his best, builds to an unforeseen, but earned, climax. (Aug.)
From Booklist
Master plotter Cook upends the traditional linear progress of the typical mystery from crime through solution (and sometimes) trial by starting this head-scratcher at the trial itself, with the opening argument of the prosecution. We sit with college professor Samuel Madison, on trial for murdering his wife, Sandrine, also a college professor, as he thinks about what has happened to him over the past week: for example, how the first responding officer on the scene seemed much more interested in what had happened than Samuel had expected; how the people in his tiny college town all seemed to have turned against him, assuming that such a socially graceless, homely man as he certainly would have killed his beautiful, faithless wife; and how excessively well prepared the prosecution seems to be. Part of the thrill of reading this unusual mystery is that we’re confined to Samuel’s head, and he’s not saying if he did indeed murder his wife. Another fine effort from the always insightful Cook. --Connie Fletcher
Review
"A consistently engaging court procedural. . . . The real treat is Cook's tender, gradual exploration of the push and pull between Samuel and Sandrine, an unlikely pair."—People (three stars)
"Cook supplely strips the courtroom thriller down to its bones and then animates it with a warm, beating heart. . . . This is a story of the mysteries of a long marriage and of a couple who might or might not be meant for each other. Cook plays with and against the conventions of the noir mystery to craft a novel deeper and richer than the genre would seem to allow."—Columbus Dispatch
“Sandrine's Case is a story of love lost and rediscovered during the course of a murder trial. Who but Thomas H. Cook could blend love and death with such seamless elegance? He remains one of my favorite writers.”—Harlan Coben
"With Sandrine's Case Thomas H. Cook once again proves he's one of the very best. Here he uses the courtroom as a prism on the inner workings of life and relationships. It is gripping, moving and elegiac. This book shows a master at work."—Michael Connelly
"A mystery novel by Tom Cook is always something more, and unpredictable. It is very difficult to resist turning pages rapidly to discover the outcome of this disturbing case."—Joyce Carol Oates
“Often praised for the clarity of his prose and the sheer drive of his storytelling, [Cook] deserves a special citation for bravery. In Sandrine’s Case, he not only dares to write a novel with an unpleasant protagonist, but also makes him the narrator.”—New York Times Book Review
“Bravo to Cook for giving us a story that slowly grows with intensity and depth. . . . [An] insightful, cleverly nonlinear novel.”—Christian Science Monitor
"[A] wonderful genre-breaking novel. . . . Sandrine's Case is as good as anything written by Scott Turow and John Grisham."—Huntington News
“A remarkable piece of writing that sits right at the top of the genre.”—Deadly Pleasures
“A tender love story in the form of a tense courtroom drama, Sandrine's Case is mystery, metaphor, and morality wrapped together in a nifty package, a chance to observe grace (or treachery) under pressure. Thomas H. Cook’s elegant new novel offers all that great narrative pleasure. You’ll be baffled right up to the Wow of an ending. What a terrific story!”—Susan Isaacs, author of Compromising Positions and Goldberg Variations
“Who could write a gripping novel of tenderness and mercy—its subject a woman who might have decided to frame her husband for her own suspicious death? Thomas H. Cook has done just this. In his prime as a master storyteller, he goes from strength to strength.”—Jacqueline Mitchard, bestselling author of The Deep End of the Ocean
“Sandrine's Case is a heart-breaking, heart-stopping love story as well as a taut, gripping courtroom drama, woven as masterfully and diabolically as a hangman's noose. Nobody does it better than Thomas H. Cook!”—Judith Kelman, bestselling author of Summer of Storms and The First Stone
“Sandrine's Case brings to mind Body Heat and Presumed Innocent, those pinnacles of adultery, marriage and murder. Thomas H. Cook is at his best here as he grabs the reader by the throat and doesn't let go until the verdict is announced.”—Ann Hood, author of The Knitting Circle and The Red Thread
“From the compelling opening to the poignant resolution, Sandrine's Case is a hauntingly beautiful and deeply moving novel that is at its core a story of a love both complex and enduring. Ingeniously conceived and elegantly written, it throbs with the suspense and insight into the human heart that we've come to expect of Thomas H. Cook.”—Anne D. LeClaire, author of Entering Normal and The Lavender Hour
“Cook is one of the finest crime writers of modern times. . . . Told in the sparest style, Sandrine gradually reveals the web of deceit that married couples can weave around each other until it threatens to suffocate them both: horrifying but hypnotizing.”—Daily Mail (UK)
“One of the best mystery novels I’ve ever read. Cook has it all. The nuanced engaging characters, the clean and subtle plot, a perfectly imagined setting, and a slow-burn pacing that makes it impossible to stop reading. . . . Don’t miss it.”—Globe and Mail (Canada)
"Vintage Cook: different, interior, another one that resists categorization."—Providence Journal
"A marvelous tale of human nature."—Kirkus Reviews (starred review)
"[A] slow-burning, intricate thriller. . . . This crime novel, one of [Cook's] best, builds to an unforeseen, but earned, climax."—Publishers Weekly (starred review)
“Compelling . . . Cook deftly explores the question of what we truly know about the people we love—and, in reflection, what we truly know about ourselves.”—January Magazine
“[Cook’s] lyrical prose, his flawless movement back and forth in time, his utterly surprising ending, and his masterful use of suspense put Sandrine’s Case at the top of my list.”—And Sometimes She Writes. . .
“Sandrine’s Case is loaded with quiet metaphor and shot through with turns of phrase that would fill a small notebook on their own. It can be read in one sitting. . . . Still, I suggest reading it slowly, taking in its nuances and perhaps even re-reading it after finishing, just to enjoy how Cook so carefully constructed it.”—Bookreporter.com
“Cook has a patented way of bringing out the deep and vulnerable heart of a character. . . . It is tenderness and kindness that mark Thomas Cook’s novels and it is evident in the beautiful Sandrine’s Case as well.”—Murder By The Book
Most helpful customer reviews
28 of 29 people found the following review helpful.
A different take on courtroom fiction
By TChris
There are few novelists of intrigue I admire as much as Thomas Cook. Whether he's writing a spy story, a crime novel, or a courtroom drama, his approach is unconventional. Tension derives not from action but from the intense probing of his characters' lives. In Sandrine's Case, Cook uses a criminal trial to reveal not just the facts underlying a death, but the mind and soul of the accused, an unfeeling man who (his wife once said) is composed of scar tissue.
Sam Madison, an English professor at a liberal arts college in a small Georgia town, had a terrible argument with his wife Sandrine, a history professor at the same institution. He is accused of killing her and of attempting to disguise the murder as suicide. The evidence against him is circumstantial: a "sinister research history" on his computer; his role in obtaining the Demoral that killed her; the antihistamines in Sandrine's blood; a broken cup; a parody Sam wrote of noir fiction; "a silence when I should have spoken, a question I should have asked but hadn't." Sandrine had recently been diagnosed with Lou Gehrig's Disease, a condition that (according to the prosecutor) furnished Sam's motive: it was easier to kill than to face years serving as a caretaker, feeding and bathing his helpless wife. Sam fears that the jurors will despise him because he is an intellectual living a privileged life, but the most damning evidence against him are the words Sandrine spoke to her friends about Sam's detached, isolated nature. Sam is, according to Sandrine, a sociopath (or so she said in the last words she spoke to him), and he knows his "cold perhaps even haughty demeanor" is not playing well with the jury. He has good reason to fear that the trial has become a referendum on his marriage, that he will be punished for being a distant, uncaring husband.
The ultimate mystery in Sandrine's Case is not what Sam did or did not do, but whether Sam is correct in certain suspicions he begins to harbor about Sandrine. Since Sandrine's Case is told in the first person from Sam's perspective, it obviously isn't a whodunit. Sam feels enormous guilt, but for much of the novel his precise role in Sandrine's death is unclear. Was he possessed, after twenty years of sharing a home with his wife and daughter, to murder Sandrine, despite his belief that "no man had ever been loved by a more worthy woman"? As Sam slowly disintegrates -- thinking about the testimony of the witnesses at his trial, reliving the police interrogations, recalling (in bits and pieces) his life with Sandrine -- he begins, perhaps for the first time, to understand himself, to come to terms with his deep sense of failure, a judgment he "put on everyone else," particularly Sandrine, because he feared to judge himself. The testimony of witnesses teaches Sam what Sandrine really thought of him, and seeing himself through Sandrine's eyes is a revelatory experience.
Sam describes Sandrine's academic writing as "graceful and carefully measured," a description that applies equally to Cook's prose. Sam, who laments "what a low culture we have now," has never read a crime novel (unless you count Crime and Punishment or other works of literary genius). If he were to do so, Sandrine's Case would be a good place to start. Cook's insight into his characters and his elegant prose are undeniably the stuff of quality literature, yet he (unlike Sam, whose failed novel became more academic with each rewrite) never fails to tell a compelling story. There might be more courtroom theatrics in a Grisham novel, but there is more bare honesty, more heart, in Sandrine's Case than you'll find in a dozen Grishams. It is a strangely redemptive, life-affirming story about death, a decidedly different take on courtroom fiction, but in its own quiet way, a small masterpiece.
16 of 17 people found the following review helpful.
A simple premise made of extremely complex layers and gorgeous prose
By Bookreporter
Thomas H. Cook is an author's author. He has amassed an enviable bibliography comprised of books that prove his love of language and his ability to quietly and surgically slice into lives and personalities. While his novels are considered to fall under the classification of crime fiction, he defies some of the elements of that genre while never eschewing a literary tone. It is telling that after more than three decades and close to 30 books, Cook's latest effort features some of his best prose.
SANDRINE'S CASE is built upon a relatively simple premise constructed with extremely complex layers. A husband calls the police, stating that he has just arrived at home and found his wife dead, the victim of an apparent suicide. After an investigation, though, the husband is charged with first-degree murder and goes on trial. Have we seen this before? Absolutely, but the plot contains several fascinating variations on this theme. The husband and wife in question are Sandrine and Samuel Madison, professors at a small and undistinguished college for over two decades. Sandrine is popular with the faculty and students and, indeed, with the townspeople of Coburn, a small and closely held city less than a hundred miles from Atlanta.
Samuel is not especially liked or likable; one gets this impression almost from the beginning of the book, which is narrated in the first person by Samuel himself. It is but one example of Cook's quiet genius that the reader can get the sense almost immediately that Samuel was not always so unlikable, and indeed we eventually learn that such is the case as the story unfolds over 10 days. Samuel has a defense attorney who is self-styled as "the smartest Jew lawyer in Coburn County," but seems to think that his own client might be guilty of the crime with which he is charged. Sandrine had reason to commit suicide, which interestingly enough is part of the alleged motive that Samuel supposedly had for murdering her.
As the book proceeds, one wonders what the deceased --- outgoing, intelligent, stunningly beautiful, capable of spouting obscure yet brilliant quotations while creating many of her own --- saw in her cold fish husband, whom she labelled a sociopath on the night of her death. We eventually learn exactly what it was that attracted Sandrine to Samuel, who looks down on practically everyone around him with a casual coldness that had invaded his home as well.
Still, Samuel is not without redeeming social value. One of his few acquaintances ("friend" would be too strong a word) is a next-door neighbor who owes much to Samuel, a debt that can never be truly repaid as a result of an impulsive, selfless, and yes, brave act that Samuel committed years before. And then there is Alexandria, Sandrine and Samuel's daughter, who seems to have taken the best of her mother's personality but is a step away from estrangement from her father. Such a thing perhaps would be more than he could bear, yet the danger of it arises from much more than the murder charges that have been brought against him; if he is exonerated, it still may not save him at home.
SANDRINE'S CASE is loaded with quiet metaphor and shot through with turns of phrase that would fill a small notebook on their own. It can be read in one sitting, though you will be tempted to rush through it. Still, I suggest reading it slowly, taking in its nuances and perhaps even re-reading it after finishing, just to enjoy how Cook so carefully constructed it.
Reviewed by Joe Hartlaub
20 of 23 people found the following review helpful.
"You're the victim in this case, Sam. Don't forget that."
By Fairbanks Reader - Bonnie Brody
Sandrine's Case by Thomas Cook is an interesting novel about the death of a 46 year-old woman named Sandrine. Was it suicide or was she murdered by her husband Sam? The novel's structure is in the form of a courtroom drama and takes place on each day of the trial with each witness testifying for or against the accused. During the course of the trial, Sam reminisces about Sandrine and their original meeting and love affair, the early days of their marriage and Sandrine's personality. He also considers the last days of her life and the awful fight they had before she died.
Sandrine loved words and was an astute grammarian. She had a tender side and originally had a dream of opening a school for poor children in Africa. During the course of years, her dreams died as she taught at Coburn College, a small liberal arts college in Georgia, the same school where Sam taught.
While the trial is taking place, Sam is asked to resign his tenured professorship because of the negative publicity his trial will bring the college. If he doesn't resign, the president is prepared to fire him.
I found the book rather long and it meandered just a bit too much for me to be completely vested in it. I found the characters interesting but not to the point of wanting to pick the book up all the time. I enjoyed the metaphors, quotes from other authors and the characterization of Sandrine. She came alive more than any other character. I have read other books by Thomas Cook and have loved them. This is not one of his strongest novels.
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